The Future sounds like a band at play, unleashed in a new studio and isolated because of the pandemic, exploring the musical influences it’s always loved. This departing from familiar territory and paying tribute to key influences on the first song sets the tone for the rest of the album. The song feels different from anything else in Rateliff’s oeuvre, a word he likely never imagined being applied to his musical output. The title track ends with some honky-tonk piano, but doesn’t really feel like a Night Sweats song without some horn blasts. Rateliff holds the syllable of the word “seen” with the resolute defiance of a young Robert Zimmerman. “Is the future open?/ Is the future seen?” he sings. Recording Industry Association of America.The opening title track begins with acoustic and pedal steel guitars before Rateliff’s voice suddenly emerges, nasally and surprisingly Dylan-esque. ^ "American album certifications – Nathaniel Rateliff And The Night Sweats – Nathaniel Rateliff And The Night Sweats".Type Nathaniel Rateliff & The Night Sweats in the "Search BPI Awards" field and then press Enter. Select Silver in the Certification field. ^ "British album certifications – Nathaniel Rateliff & The Night Sweats – Nathaniel Rateliff & The Night Sweats"."Charts analysis: 10 weeks at the top for Greatest Showman". ^ "The Official Swiss Charts and Music Community: Awards (Nathaniel Rateliff & The Night Sweats 'Nathaniel Rateliff & The Night Sweats ')".^ "Canadian album certifications – Nathaniel Rateliff & The Night Sweats – Nathaniel Rateliff & The Night Sweats".^ "Top Billboard 200 Albums – Year-End 2016".^ "Schweizer Jahreshitparade Alben 2016 – hitparade.ch". ![]() ^ " – Nathaniel Rateliff & The Night Sweats – Nathaniel Rateliff & The Night Sweats".^ "GFK Chart-Track Albums: Week 43, 2015".^ " – Nathaniel Rateliff & The Night Sweats – Nathaniel Rateliff & The Night Sweats" (in Dutch).^ "Nathaniel Rateliff - Chart History".^ "Ultratop.be – Nathaniel Rateliff & The Night Sweats – Nathaniel Rateliff & The Night Sweats" (in French). ![]() ![]() ^ "Ultratop.be – Nathaniel Rateliff & The Night Sweats – Nathaniel Rateliff & The Night Sweats" (in Dutch)."Nathaniel Rateliff & the Night Sweats 'Nathaniel Rateliff & the Night Sweats' Album Review". ^ a b Arnold, Chuck (September 10, 2015)."Nathaniel Rateliff & the Night Sweats: Nathaniel Rateliff & the Night Sweats Review". "Nathaniel Rateliff and the Night Sweats album review – beefy, breakneck rock'n'soul". ^ a b Harriet, Gibsone (August 23, 2015)." Nathaniel Rateliff & the Night Sweats - Nathaniel Rateliff & the Night Sweats | Songs, Reviews, Credits, Awards". ^ a b c Jurek, Thom (August 21, 2015)."Critic Reviews for Nathaniel Rateliff & the Night Sweats". Sales+streaming figures based on certification alone. ^ Shipments figures based on certification alone. At Rolling Stone, Chuck Arnold rated the album three stars out of five, stating that "Rateliff hasn't completely forgotten his folkie past: The wistful "Wasting Time" shows that he can still kill you softly." Thom Jurek of AllMusic rated the album three-and-a-half stars out of five, writing that "Rateliff's world-weary, deeply expressive tenor and lyrics place him on a different level than any of the current crew of revivalists." At The Guardian, Harriet Gibsone rated the album three stars out of five, stating that "Aside from Snake, which brings to mind Paolo Nutini slumped at the back of a strip club, the album is full of the ghosts of songwriting greats like Otis Redding, Chuck Berry and Van Morrison, and sounds like it should establish Rateliff as the breakneck bar brawler of the new soul movement." Track listing At Metacritic, they assign a "weighted average" score to selected independent ratings and reviews, and based upon twelve reviews, the album has a Metascore of 73 meaning that it received "generally favorable" reviews. Nathaniel Rateliff & the Night Sweats garnered generally positive reception from music critics. ![]() ‹ The template Album ratings is being considered for merging. › Professional ratings Aggregate scores
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